1677 Michel Carboni-Orgel

Santuario Nostra Signora della Caravina, Valsolda/Como, Italien

DEUTSCHE VERSION IN VORBEREITUNG!

 

Die virtuelle Konsole

Klicken Sie bitte auf das Bild, um die Bildergalerie zu starten

Disposition

Organ temperament:
Equal temperament at a1=440 Hz unfortunately probably sice 19th century
The virtual organ was therefore set back to mean tone temperament!

Manual compass:
F, G, A - g2, a2

Pedal compass:
C - d
c - d  repeated from lower octave
Pedal fixed coupled to manual

Note:
The Carboni organ sound is based on Principale 16'  (historically named:  Principale 12', beginning at F)
but the  F, G, A keys are not present on modern organ compasses. Therefore organist Fabio Mancini defined a historically renamed  and reorganized version (stop names based on Principale 12', voce umana based on P12) playable in modern organ manual compass (beginning at C)

The Terzo Mano octave coupler was probably added in 18th or 19th century

Actual stop list (stop names based on Principale 8', voce umana based on P8):

 

Main

Mnemo

Modern

1

Principale  16' (c)

P16

16'

2

Principale 8 '

P8

8'

3

Ottava  4'

O4

4'

4

Duodecima

XII

2  2/3'

5

Quintadecima

XV

2'

6

Decimanona

XIX

1  1/3'

7

Vigesimaseconda

XXII

1'

8

Vigesimasesta

XXVI

2/3'

9

Vigesimanona

XXIX

1/2'

10

Flauto 8'

FlVIII

 

11

Flauto in XII'

FlXII

5 1/3'

12

Voce umana (f#1)

Voc

Chorus

13

Contrabassi 16'

Cb16

Pedal

14

Terzo mano

Tm

Octave Coupler

Historically renamed  and reorganized stop list by Fabio Mancini (stop names based on Principale 12', voce umana based on Principale 12'):

 

Main

Mnemo

Modern

1

Principale  12' (C)

P12

8'

2

Ottava 6 '

O6

4'

3

Quintadecima

XV

2'

4

Decimanona

XIX

1  1/3'

5

Vigesimaseconda

XXII

1'

6

Vigesimasesta

XXVI

2/3'

7

Vigesimanona

XXIX

1/2'

8

Trigesimaterza

XXXIII

1/3'

9

Trigesimasesta

XXXVI

1/4'

10

Flauto in VIII

FlVIII

4'

11

Flauto in XII'

FlXII

2  2/3'

12

Voce umana (f#1)

Voc

Chorus

13

Contrabassi 16'

Cb16

Pedal

14

Terzo mano

Tm

Octave Coupler

Available organ definition files:
Carboni-P12-Meantone:
Modern adapted manual compass
(C- g2, a2).
NOTE:  Historically renamed stops, Voce umana compass shifted one octave (adapted to most ancient Italian organ music). Reduced manual compass beginning with Principale 12‘ at C (usual modern organ console compass), thus F-B are not playable!!

Carboni-P12b-Meantone:
Original manual compass (
F, G, A - g2, a2).
NOTE: Complete original manual compass shifted one octave to be able to play all notes on modern organ consoles (F - a2), but one octave higher than usual!

Anforderungen

Loaded Version

Memory Requirements 3)

Processor Speed

16-bit, compressed1)

850 MB

≥ 1,2 GHz  SingleCore 2)


1)
Lossless compression (no loss of sound quality!)

2)
Recommended:
Minimal configuration:
Single-Core, 2 GByte main memory, WIN-XP, Vista, Windows7 or MAC OS

3) To load this organ into Hauptwerk you will need enough free memory in your computer, due to the amount of playable stops, not including the operating system or any other programs that may be running!

We recommend the professional audio card RME HDSP 9632 and the AKG Reference Headphone K701 for optimal sound and room impression.

Demos

The following demo pieces were recorded with the Hauptwerk1 software and the virtual organ sample set, with no additional effects processing.

Girolamo Frescobaldi (1583-1643)
Toccata avanti la messa I,1 1) 1:23 min
Stop list: (historically modified version, see Specification)
P12, O6,  XV, XIX, XXII, XXVI,  XXIX, Fl VIII, Cb16

Toccata cromatica per l'Elevazione, Messa I, 5 1) 3:27 min
Stop list:  P12, Voc, Cb16

Toccata Messa III, 7 1) 0:55 min
Stop list:  Fl XIII

Antonio Cabezon (1510-1566)
Tiento del secondo modo 2) 3:44 min
Stop list: P12, O6, Fl VIII, Fl XII

Juan Bautista José Cabanillas (1644-1712)
Tiento de falsas 3) 2:08 min
Stop list: P12, O6, XV, Fl VIII

Sources:
1) MIDI file S. Gheller
2) MIDI file  Simonetto
3) MIDI file  McCoy

© OrganART Media, all rights reserved
No demo sounds may be used or transmitted in any form for public purposes without the prior permission of the publisher!